Just watch this old geezer go!!!
But what were the precise political circumstances when this was written? Why did Rodrigo write this? And in this style?
Was it pro-fascist?
Pro-communist?
Pro-the way things used to be?
This is what makes classical music so fascinating!
Concierto de Aranjuez (1939) - Joaquín Rodrigo - DRSO - Pepe Romero - Rafael Frühbeck de Burgos
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